Recorded at Rahkmaninovsky Hall of Moscow Conservatory
Recorded at Rahkmaninovsky Hall of Moscow Conservatory
«…I tried to fit into the situation created by Vassiliev in the most organic way, so that the music would become an inseparable part of this situation. Nonetheless, I believe that the music to The Iliad is capable of an independent existence. This is greatly enhanced by the remarkable performance skills of the chorus of The Iliad, obtained in collaboration work with Andrei Kotov, Svetlana Anistratova and Tatiana Grindenko – the latter should be especially credited for the majority of innovations in terms of acoustics and articulation, which have become a hallmark of the present recording…» Vladimir Martynov
«…I tried to fit into the situation created by Vassiliev in the most organic way, so that the music would become an inseparable part of this situation. Nonetheless, I believe that the music to The Iliad is capable of an independent existence. This is greatly enhanced by the remarkable performance skills of the chorus of The Iliad, obtained in collaboration work with Andrei Kotov, Svetlana Anistratova and Tatiana Grindenko – the latter should be especially credited for the majority of innovations in terms of acoustics and articulation, which have become a hallmark of the present recording…» Vladimir Martynov
“ …when we listen to the same music repeating itself, do we remain one and the same? And what is this 'one and the same?' Тhis particular mystery of 'one and the same' is what minimalism is preoccupied with”. Vladimir Martynov
“ …when we listen to the same music repeating itself, do we remain one and the same? And what is this 'one and the same?' Тhis particular mystery of 'one and the same' is what minimalism is preoccupied with”. Vladimir Martynov
Two new works for the strings and voices - 'Requiem' and 'Stabat Mater' of Vladimir Martynov, who follows his aspiration for the creation of the new sacred space. The title connecting these two works - TEMENOS - means 'the territory around the temple'. On that territory Vladimir Martynov creates this new sacred space.
Two new works for the strings and voices - 'Requiem' and 'Stabat Mater' of Vladimir Martynov, who follows his aspiration for the creation of the new sacred space. The title connecting these two works - TEMENOS - means 'the territory around the temple'. On that territory Vladimir Martynov creates this new sacred space.
New sacred music of famous Russian composer Vladimir Martynov.
New sacred music of famous Russian composer Vladimir Martynov.
Anton Batagov's composition, inspired by the Buddhist spiritual practice.
Anton Batagov's composition, inspired by the Buddhist spiritual practice.
Tatiana Vasilievna Cherednichenko (1955 — 2003) was Russian scientist-musicologist, the culturologist, the critic, the journalist and the publicist.
Tatiana Vasilievna Cherednichenko (1955 — 2003) was Russian scientist-musicologist, the culturologist, the critic, the journalist and the publicist.
Vladimir Martynov's attempt to create a New Sacral Space
Vladimir Martynov's attempt to create a New Sacral Space
Avantfolk vocal and instrumental composition of Vladimir Martynov with lyrics of Velimir Khlebnikov.
Avantfolk vocal and instrumental composition of Vladimir Martynov with lyrics of Velimir Khlebnikov.
