From The Book "Liber Usualis. Missae Et Officii Pro Dominicis Et Festis Cum Cantu Gregoriano"
From The Book "Liber Usualis. Missae Et Officii Pro Dominicis Et Festis Cum Cantu Gregoriano"
Recorded at Rahkmaninovsky Hall of Moscow Conservatory
Recorded at Rahkmaninovsky Hall of Moscow Conservatory
Sidewalk Stories is a live soundtrack for the movie of Charles Lane with the same title
Sidewalk Stories is a live soundtrack for the movie of Charles Lane with the same title
Original music for the film “The Seagulls” by Ella Manzheyeva, 2015, film studio “Telesto.”
Original music for the film “The Seagulls” by Ella Manzheyeva, 2015, film studio “Telesto.”
"...And with the present compact disc they are returning to their sources - to folklore material: no more jazz improvisers, electronic effects or DJ's. However, such is the law of interaction of the oral folk tradition with professional arts: as paradoxical as it may seem, but the more one immerses into tradition, the more broadly the panorama of modernity discloses itself..." D.U.
"...And with the present compact disc they are returning to their sources - to folklore material: no more jazz improvisers, electronic effects or DJ's. However, such is the law of interaction of the oral folk tradition with professional arts: as paradoxical as it may seem, but the more one immerses into tradition, the more broadly the panorama of modernity discloses itself..." D.U.
«…I tried to fit into the situation created by Vassiliev in the most organic way, so that the music would become an inseparable part of this situation. Nonetheless, I believe that the music to The Iliad is capable of an independent existence. This is greatly enhanced by the remarkable performance skills of the chorus of The Iliad, obtained in collaboration work with Andrei Kotov, Svetlana Anistratova and Tatiana Grindenko – the latter should be especially credited for the majority of innovations in terms of acoustics and articulation, which have become a hallmark of the present recording…» Vladimir Martynov
«…I tried to fit into the situation created by Vassiliev in the most organic way, so that the music would become an inseparable part of this situation. Nonetheless, I believe that the music to The Iliad is capable of an independent existence. This is greatly enhanced by the remarkable performance skills of the chorus of The Iliad, obtained in collaboration work with Andrei Kotov, Svetlana Anistratova and Tatiana Grindenko – the latter should be especially credited for the majority of innovations in terms of acoustics and articulation, which have become a hallmark of the present recording…» Vladimir Martynov
