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VLADIMIR MARTYNOV - GAMES OF ANGELS AND HUMAN BEINGS
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VLADIMIR MARTYNOV - GAMES OF ANGELS AND HUMAN BEINGS

From The Book "Liber Usualis. Missae Et Officii Pro Dominicis Et Festis Cum Cantu Gregoriano"

From The Book "Liber Usualis. Missae Et Officii Pro Dominicis Et Festis Cum Cantu Gregoriano"

CDLA16061
$14

VLADIMIR MARTYNOV - ILIAD

«…I tried to fit into the situation created by Vassiliev in the most organic way, so that the music would become an inseparable part of this situation. Nonetheless, I believe that the music to The Iliad is capable of an independent existence. This is greatly enhanced by the remarkable performance skills of the chorus of The Iliad, obtained in collaboration work with Andrei Kotov, Svetlana Anistratova and Tatiana Grindenko – the latter should be especially credited for the majority of innovations in terms of acoustics and articulation, which have become a hallmark of the present recording…» Vladimir Martynov

«…I tried to fit into the situation created by Vassiliev in the most organic way, so that the music would become an inseparable part of this situation. Nonetheless, I believe that the music to The Iliad is capable of an independent existence. This is greatly enhanced by the remarkable performance skills of the chorus of The Iliad, obtained in collaboration work with Andrei Kotov, Svetlana Anistratova and Tatiana Grindenko – the latter should be especially credited for the majority of innovations in terms of acoustics and articulation, which have become a hallmark of the present recording…» Vladimir Martynov

CDLA 11063
$14

VLADIMIR MARTYNOV - PASSIONSLIEDER

“ …when we listen to the same music repeating itself, do we remain one and the same? And what is this 'one and the same?' Тhis particular mystery of 'one and the same' is what minimalism is preoccupied with”. Vladimir Martynov

“ …when we listen to the same music repeating itself, do we remain one and the same? And what is this 'one and the same?' Тhis particular mystery of 'one and the same' is what minimalism is preoccupied with”. Vladimir Martynov

CDLA 04022
$14

VLADIMIR MARTYNOV - TEMENOS: REQUIEM STABAT MATER

Two new works for the strings and voices - 'Requiem' and 'Stabat Mater' of Vladimir Martynov, who follows his aspiration for the creation of the new sacred space. The title connecting these two works - TEMENOS - means 'the territory around the temple'. On that territory Vladimir Martynov creates this new sacred space.

Two new works for the strings and voices - 'Requiem' and 'Stabat Mater' of Vladimir Martynov, who follows his aspiration for the creation of the new sacred space. The title connecting these two works - TEMENOS - means 'the territory around the temple'. On that territory Vladimir Martynov creates this new sacred space.

CDLA 03031
$14

VLADIMIR MARTYNOV - HYMNI

New sacred music of famous Russian composer Vladimir Martynov.

New sacred music of famous Russian composer Vladimir Martynov.

CDLA 00027
$14

VLADIMIR MARTYNOV - DANCES ON THE SHORE

I selected this madrigal as the starting point for our imagined joint composition, our imagined dialogue. It can scarcely be called a work in the full sense, but is rather an attempt to hear the sound of the oncoming waves of time, to hold in the memory a fading image… Vladimir Martynov

I selected this madrigal as the starting point for our imagined joint composition, our imagined dialogue. It can scarcely be called a work in the full sense, but is rather an attempt to hear the sound of the oncoming waves of time, to hold in the memory a fading image… Vladimir Martynov

CDLA 04068
$14

Appendix to the book of TATIANA CHEREDNICHENKO - Musical Reserve. Problems. Portraits. Events.

Tatiana Vasilievna Cherednichenko (1955 — 2003) was Russian scientist-musicologist, the culturologist, the critic, the journalist and the publicist.

Tatiana Vasilievna Cherednichenko (1955 — 2003) was Russian scientist-musicologist, the culturologist, the critic, the journalist and the publicist.

CD
$14

GEORGS PELECIS - VLADIMIR MARTYNOV - CORRESPONDENCE

The work for two pianos of two friends-composers was created 'in correspondence'. Composers live in different cities (and even different countries after falling dawn of the USSR) and they sent each other letters with scores of the new parts of the work, which developed and added the initial musical idea.

The work for two pianos of two friends-composers was created 'in correspondence'. Composers live in different cities (and even different countries after falling dawn of the USSR) and they sent each other letters with scores of the new parts of the work, which developed and added the initial musical idea.

CDLA 03024
$14
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